The
         session to be discussed below was titled "Links and
         Relations," which is absolutely correct as a description and
         also intellectually inspiring because it at least raises the
         question whether "links" are "relations" and, if so, of what
         type. Or, to put it differently, exactly when and from what
         state of exploration on a "link" is seen as a "relation."
         This certainly does not apply to a first discovery of the
         link anchor promising a relation; at this stage, it is in no
         way certain whether that promise will hold. The four
         contributions presented in this session can be seen under
         this aspect of modeling of expectations, and inspiration can
         be taken from the contribution at the beginning, which won
         the "Newcomer Award:" "A Pragmatics of Links" by Susana
         Pajares 
Tosca (University of Madrid). She and Mark
         
Bernstein dealt more with this aspect of
         micromodeling, while the two other contributions, by Licia
         
Calvi and Locke 
Carter, discussed
         macromodeling. Let us move on from the big things to small
         ones.
         
Licia Calvis
         contribution (Trinity College, Dublin) was not presented at
         the congress, but should not be disregarded here for that
         reason, for she deals with an important aspect of media
         difference between a "book" and "hypertext" on the basis of
         a short story by an English author available both as a book
         and as internet HT. So, if the content is more or less the
         same, how does the medium change experience with the text
         (and hypertext, respectively) and, perhaps, even with the
         content? In this case, the content is about a ride in a
         London tube as presented by descriptions of the maximum
         possible number of 253 passengers (7x36 plus the driver),
         which adds up to one fate per page of the book version.
         Calvi arrives at the finding that, of course, the
         reading experience will be different as a function of the
         medium, but the contents will not be affected by the medium.
         In this case, however, this was due to the less than optimal
         conversion into HT.
         "When faced with the task of
         constructing single-author, self-contained arguments in
         hypertext environment, ... authors must overcome the
         expectation of order." Thus, anyway (Proceedings, p. 85),
         the usual expectation of a connection between a logical
         chain of arguments and the disappearance of order in the HT
         as a result of the design principle could be described (as
         explained by Bolter or Landow). However, and this is the
         gist of this contribution by Locke Carter (Texas Tech
         University) about "Arguments in Hypertext," this connection
         no longer has such a dramatic impact if one looks at more
         recent approaches, for instance in the area of "informal
         logic" (Toulmin, Perelman) or the "stasis theory"
         (Fulkerson). In that case, it no longer mattered in what
         sequence arguments appeared; what mattered was that they
         appeared at all, as one was able to observe in arguments
         exchanged in court (Proceedings, p. 88): "Since stasis
         theory views the entire 'argument act' as one set of items
         with little regard to order, hypertext argumentation may
         profit from adapting the classical stases and developing new
         ones."
         What is the purpose of a
         link anchor in communication? This question was examined by
         Mark Bernstein, an untiring, always inspiring HT
         propagandist with Eastgate Systems. His contribution
         contains the argument with an ironic twist already in the
         title: "More than legible: On links that readers don't want
         to follow." However, it was the dual purpose of a "link" to
         make readers follow the link and to branch logically from
         the existing context. Exploiting this leeway had been the
         main content of innovations in the past few years. In
         Bernstein's view, a prototype of an input-sensitive dynamics
         of a link anchor is an approach which Jim Rosenberg
         presented at the last conference in Darmstadt with his
         "intergrams:" layers of text superimposed to the point of
         illegibility which, after a number of mouse clicks,
         gradually became disentangled, thus revealing their
         contents.
         Susana Tosca argues
         explicitly on the basis of contributions by Jim Rosenberg
         (at the '96 conference in Washington), Mark Bernstein (at
         the '98 conference in Pittsburgh) and by Wendy Morgan (at
         last year's conference in Darmstadt) and, in this way,
         indicates that this series of conferences indeed represents
         a community of discourse. She is interested in shedding
         light on those processes which occur in the microrange of
         deciding about the conformity of expectations held
         vis-à-vis branching offers: to click or not to click?
         This largely parallels my own approach based on reception
         psychology. It marks a level far below the large patterns on
         which Bernstein worked, also the agglomerations of
         (clicking) actemes studied by Rosenberg, and ranks even
         above the assessments which Wendy Morgan made her topic.
         Tosca argues: "... links force us to make meaning
         before and after traveling them." Which means
         that, when encountering a link the very first time, the
         reader must form expectations about what the link may
         produce, can then formulate the appropriate alternative (as
         Tosca does in following a specific approach, the "relevance
         theory"), and then see, after reading, whether these
         expectations came true or not. This intensive search for
         meaning and a context developing the interpretation, turn
         links "poetic."
         This two-step semantic
         exploration of meaning could be the main point in the
         experience of reading hypertext. This, at least, was the
         message one could take home. On the other hand, it makes you
         wonder why Tosca meanwhile discontinued her ambitious
         reading experiment, announced in Darmstadt last year, with a
         text by James Joyce. Also William Collin no longer
         pursues his experiment of reading the "Cantos" by Ezra
         Pound. In my view, both cases are indicative of the fact
         that reading hypertext really is not easy.
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